Aqua Oscura (Spring), 2015
By James Turrell
£7,800.00
Size : 84.5 x 119.5 cm
Medium type : Print
Materials : Polymer gravure etchings on paper
Edition size : 30
Framed : No
Signed/unsigned : Hand-signed
- Original artwork
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Born in Los Angeles in 1943, Turrell studied perceptual psychology at Pomona College, a discipline that would profoundly influence the development of his artistic practice. During the 1960s he began experimenting with projected light within carefully modified spaces, creating works that blurred the boundary between physical form and optical illusion. These early investigations evolved into some of the most significant artistic projects of the twentieth and twenty-first centuries, including his celebrated Skyspaces, Ganzfeld installations, and the monumental Roden Crater project in Arizona. Transforming a dormant volcanic crater into a vast naked-eye observatory, Roden Crater has become one of the most ambitious and visionary artworks ever undertaken, representing the culmination of Turrell’s lifelong fascination with light, celestial phenomena, and perception.
At the centre of Turrell’s practice is the belief that perception itself can be an artistic subject. His works often remove conventional visual references, encouraging viewers to experience colour, light, and space in ways that challenge their assumptions about what they are seeing. Whether through the subtle glow of a Skyspace or the immersive environments of his light installations, Turrell’s art creates moments of contemplation that are both deeply personal and universally accessible. Drawing inspiration from natural phenomena, aviation, astronomy, and philosophy, his work invites viewers to engage with the world in a slower and more mindful way, revealing the extraordinary qualities hidden within everyday acts of observation.
Turrell’s influence extends far beyond the traditional boundaries of contemporary art. His work has been exhibited at many of the world's leading museums and institutions, including major retrospectives across Europe, Asia, and the United States. He has represented the United States at the Venice Biennale and has received widespread critical acclaim for his contribution to contemporary art and experiential practice. His installations have become cultural landmarks, attracting audiences far beyond the traditional art world and reinforcing his status as one of the defining artistic figures of his generation.
From a market perspective, James Turrell occupies a unique position within contemporary art. Demand for his work has remained consistently strong for decades, supported by significant institutional recognition, museum acquisitions, and an exceptionally limited supply of available works. Collectors are drawn not only to the visual beauty and conceptual sophistication of his practice, but also to his art historical importance as a pioneer of light and perceptual art. As interest in experiential and immersive art continues to grow, Turrell’s influence remains more relevant than ever. His works are widely regarded as cornerstone acquisitions for serious contemporary collections, combining cultural significance, museum-level recognition, and enduring market appeal. Today, James Turrell stands as one of the most important living artists, whose groundbreaking investigations into light and perception continue to shape the direction of contemporary art worldwide.
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